Come one come all to Robert Fox’s First Friday in Silverton, Oregon.
He is showing all month…July 31 to Sept. 2
Come one come all to Robert Fox’s First Friday in Silverton, Oregon.
He is showing all month…July 31 to Sept. 2
Recently my nine year old grandson, Jack, has taken an interest in Linda Silvesti’s wonderful sketches with puns. He wanted to give it a try. So, with pen and paper he went off to make a sketch.
This guy, he explains, has confused his shoe with a taco. So, he’s wearing the taco and just put his shoe in the microwave. “Where’s my taco?” he questions. He imagines a can eating his taco not realizing the taco is on his foot. The can, wanting the taco is a
So there we have it. The beginning of a new pun-ner. (He told me to type this.)
The following is a poem by Godistricksy. I adore the squirrels that dash around our yard and hang upside down to grab seeds from the birdfeeders. They taunt the neighbor’s cat but play nice with the birds and doves who come to share the back yard bounty. Hope you enjoy his poem as well.
a lazy afternoon
rings around ringed
with verdant spring,
to scratch an itch
or watch a plump
i was a squirrel.
safe from bombsandcarsandknivesandguns.
a silver flash
in the canopy,
“Explore” by Kelly Rae Roberts
Around my house you would see many home made art pieces. I’m lucky to be surrounded by artists. I also dabble in a variety of art styles myself; the walls and curio cabinets display art explorations created by my husband and myself.
Yet, beyond our own art, you will notice quite a few pieces of art (from calendars to bookmarks) created from the fertile and upbeat imagination of Kelly Rae Roberts. During the season of Thanksgiving, you will more often than not see her work above the mantle, bearing words of gratitude.
Her website and blog are both uplifting. Enjoy her story as well as how she builds a business on hard work, imagination, and joy.
Dive in and enjoy Kelly Rae’s blog and website.
Caroline Patrick BorNei: Featured Artist
Medium: Oil, Acrylic, Watercolor
Home: Camano Island, Washington, USA
Website, combination Feng Shui and Art: http://goldmountainpublishing.com/
Caroline, thank you for taking some time out of your busy schedule to share your passions. I was captivated by your paintings of poppies, but understand there is so much more than painting those rich colors.
Everyone loves the Fire Element of Poppies. Washington state, in the Pacific Northwest of the USA, has these lovely poppies up and down the back roads.I took a picture on the way to a painting class a few weeks ago. Several of us get together and paint every week.
I like the idea of getting together for painting. What are some of the first memories you had relating to art before you could just snap a picture of poppies by the side of the road?
My first memories of doing art was when I was around 3 or 4 years old and I remember drawing on the back of my mother’s Sunday Church bulletin (or program). I remember working with oil clay to make furniture for my doll houses. And there was that time I drew with Crayola on our home walls!
Yikes, I guess that is something you don’t forget. Were you always drawn to art?
Yes, I loved the outdoors and studied nature and environment from pulling petals from flowers and seeing how they were formed to seeing perspective of buildings and all things. The brilliance of light and the beauty of darks. Seeing the vibrancy of life through color, sounds, smells, texture, memories of places and things. I feel an urgency to record things visually or from dreams and experiences.
The above picture looks as if it came straight from a dream.
I call it “The Guardians” It relates to the Heaven section of a home in the immediate far right corner of a home when coming into a house by the front door. This relates to my expertise in feng shui principles.
I can see that you take pleasure from combining your skills in both art and feng shui.
At 6 years old my father bought me a box of oil paints and found my first teacher which was a distant aunt. Later a summer time teacher and as an adult would take workshops from instructors whose work I admired. But I am mostly self taught.
On the road to being self taught, I noticed you studied the masters. Share the process you went through to make your version of the famous “Madonna.”
This is my rendition of Botticelli’s Madonna. It was a picture I admired which I completed in the old master’s way of painting in oil. The painting was done on unfinished Masonite which I cut and sanded until it was as smooth as glass. Layers of varnish were applied, then dried and sanded each time…over 10 or 12 times. Then I drew the figures and begin painting the flesh and facial features and sanding them again each layer. This way the paint builds up bit by bit giving the piece a glow. This painting took many hours and layers of the linseed oils. After drying for weeks. I added gold leaf to the background and sealed the picture. A woman from the East Coast saw it in a California gallery and flew out to see it and bought the picture. This woman is a healer and uses it to help her bring the Christ energy to her clients. I wish I hadn’t sold the painting. Some pictures can never be reproduced, but I’m happy she saw the value of its healing properties.
I understand how an artist can be happy and sad when a special work of art has been sold. Seems you have taught yourself well, because now you are a guest teacher at the Lotus Institute in Seattle, Washington, USA. www.lotusinstitute.com Wonderful how you can combine both your passions so effortlessly. I understand there is a new book on the horizon.
While traveling in China with a feng shui group, we rode almost to the top of this sacred mountain called Jiuhan Shan. I followed behind the group taking pictures of monkeys and soon found myself alone on this mountain top as the group had gone on to the top passed the Monastery. Not knowing where they had gone I became tired and decided to go back down the steep stairways to the gondola cable car and on arriving realized I didn’t have a ticket to descend to the village. A kind Chinese woman paid my way to the bottom. We could only talk with our eyes and hands, but she understood my dilemma! This is an acrylic and oil painting of the Monastery which was chosen as the cover to my book which is on Kindle.
A great book cover. What would you say to an artist who is reading this and thinking….I want to have adventures and paint, too. What would you say?
Don’t wait another minute, sign up with a teacher that resonates with you and the medium that pulls at your heart strings. Although I do all mediums such as oil, acrylic, watercolor, conte’ crayon, clay, pastels, pen and ink and all new things, as there are new products every day to explore. For instance I would rather teach someone who has never picked up a brush, in fact I love to create with sticks dipped in ink or maybe crinkle a piece of rice paper and drop watercolor or ink to see what shapes inspire me.Another big piece of advice is to treat yourself to the best watercolor paper, I use 300 lb and the more expensive paints. This is your gift to yourself as cheaper supplies will only be frustrating. Save all the ‘opps’ paintings and cut them up for a new creations.There are no mistakes!
For people who want to make a living as an artist? Paint every day or at least 3 days a week. Take advantage of all the new paints and products, get friendly with technology or find someone who loves this piece of the puzzle. Giclee or prints are the norm for sharing your work affordably, such as cards, prints, wearable art and more. Get a website or use constant contact and go on facebook and show your work to prospective buyers. Learn all you can from artists who are making it happen. Join organizations if possible. Don’t let anyone stop your dream and of course in my opinion since I am a Feng Shui professional practitioner use feng shui in the home and or your studio to support your dream!
Very inspiring, Caroline. Thanks for participating in this interview. It’s good to know we can see more and even buy some of your art on http://fineartamerica.com/artists/caroline+patrick
Ferencz J. Reka: Featured Artist
Home: Visegrad, Hungary
Saatchiart Website: http://www.saatchiart.com/ferenczart
Art Majeur Website: http://www.artmajeur.com/en/member/ferenczart
When I first looked at your art, I was impressed with the movement of the images and how there seemed to be a layers of meaning in your paintings. What inspires you to put these images on canvas?
Mostly social situations what I find interesting, lots of my work is about them. Today’s social loneliness, fake friendships, virtual communities, the quality of our lives, finding ourselves and our inner peace- these are the thoughts and feelings that I try to infuse in my work. Because I only paint 10-12 pictures a year I still enjoy every a part of the process. I’m only going to my studio and paint if something started to get a form inside me and want to get out really bad and be on a canvas. I enjoy the whole process :).
Did you always like to paint?
My first memories are about creativity, I wouldn’t call it art. As a kid I made my own jewelry collections from everything I could find around. I was always drawing, sewing, knitting, and embroidering. I’m good in all kinds of handicraft, even today. My passion is to invent and create.
Well, your present work with those bold colors is very inventive. On road to where you are now, were there mentors, schooling, or disciplines that brought you to today?
I was studied textile designing; I think I can give a lot of thanks to my drawing teacher. He sent me out of the class because as he said I have a unique vision and style and the only thing what he can do with that is to ruin it. He asked me to find and walk my own path and try to isolate myself from the expectations and critiques of the professions and not to let any bad influence in. My husband’s opinion was the same, these things gave me the strength in the beginning, and I believed that what I’m doing is good.
Not every art teacher would challenge a student in that way, but it seems to have paid off with your unique style. So to this day, you mostly work alone?
I mostly work alone, but from time to time I get involved with some projects. These are mainly charity events (for schools, homeless people or orphans). Isolation is what I created for myself. 16 years ago we moved from Budapest to the countryside, Visegrad, literally to the middle of the forest. We don’t really have neighbours; the only one who rings our doorbell is the postman. I love living here, our home and our life. I’m proud that by the age 30 I could get out of the running and fast city life and that I was able to change my whole life for the best. I participate in the Art Fair once a year (this year in London).These occasions are good to get back to the art jungle again and have a bit of a rush to charge up myself a bit. It’s more than enough for me.
Although you are isolated for your art, you have a great deal of presence online. That must take a great deal of work as well.
Of course nowadays I can show my art to other people on FB, Twitter and other online communities. I got a lot of support from there as well. This path is difficult but also good. I got nice words, letters, comments what give me the push and the power to continue what I’m doing. I rarely do interviews.
I very much appreciate you taking your time to do this one. What is your most recent work?
My latest painting, I’ve finished it a few weeks ago. “On the path to adulthood”
I tried to paint the greyness, monotony and “dangers” of adulthood, when our inner child dies things lose their colours and our lives becomes grey.
I can see how your background in textile design has influenced your work.
“Revealing Wistfulness” This picture is the straight opposite of what I painted on the first picture. I wanted to paint that feeling when we still wish that we were colourful and different than others. We try to keep our inner child alive, because if we still could find the beauty in a cloud, the perfection of a flower or admire a snowflake, then we can find our inner peace while drinking our cup of coffee in the morning.
I was taken with the painting, “Transition-And life goes by.” Can you share a little bit about the meaning behind this?
I think about it as an exclamation point because life is for live it! Out life is like a glass of water, we can drink it or pour it out and waste it, it’s our decision. The biggest treasure in life is time and a lot of people still can’t understand that…
A lot of people don’t understand that. I can see the themes of cherishing time and being yourself in your work. What suggestions would you have for those who wish to make their living as an artist?
My advice is that if you don’t have endurance and willpower then don’t be an artist. The artist life from outside could seem fun and easy, but these days the ones go somewhere as artists are the ones who are single-minded and focused. If you want to choose this path you need to be sure that you can represent something and you have those values what you want to share with others.
I think that is very good advice, indeed. To show how hard you work, I have included a list of important shows you have been involved in. You don’t wait in the woods for someone to come by and purchase your art pieces. You work hard at your discipline but also your shows and online presence. Thank you, Ferencz, sharing in this interview.
2015. Budapest (H)- Art Market
Paris (F)- Carrousel du Louvre
Miami (USA)- Museum of the Americas
Dubai ( UAE)- Dubai Art Fair
2014. Paris (F)- Carrousel du Louvre
Dubai ( UAE)- Dubai Art Fair
Santa Fe ( New Mexico-USA) Art Fair
Vác (H) – Atrium Art Gallery
Rome (I) – Hungarian Academy in Rome
Paks (H) – Csengey Dénes Cultural Centre
2013. Oslo (N) – S9 Art Gallery
Paris (F)- Carrousel du Louvre
Budapest (H) – Kertész29 Art Gallery
Miami (USA)- Museum of the Americas
2012. New York (USA) – National Arts Club
Tg Mures (RO)- Palace Culture
Budapest (H)- 2B Galéria
Tinarity: Featured Artist
Twitter: : @tinaritys
Winter: Sailboat in the Caribbean,
A couple of weeks ago I was scrolling through my twitter feed and came upon a lovely sculpture that has such motion.
I asked the person posting if she knew who created it. She responded with a cheerful “Me.” I went on to view other works by Tinarita and was fascinated by the process. She was gracious enough to participate in an interview.
Tinarity, I think I am as interested in your art as I am in your process and where you do your work. So much to cover, so let’s start with some first memories. Thinking back, what drew you to art.
Other than the painting that kids usually do, I remember carving a wooden old man when I was about 17 years old. I was actually supposed to be working on my exams for school. But I kept getting side tracked by sculpting. Luckily, I passed my exams and made some more wood carvings in the following years.
What was it about wood or sculpture that kept your interest?
Creating something you can touch and hold is always very satisfying. Wood has wonderful haptic properties (warm, smooth etc.) Since then I became a great admirer of Michelangelo’s and Rodin’s marble statues (a very tricky material).
When I read that you did sculptures and lived on your boat part of the year, I was fascinated. What about your environment keeps your creative juices flowing?
Nature and its close observation are always sparking my inspiration. Looking at macro photographs of plants or plankton is an endless wonder of forms, shapes and colours.
I live part time on a sailboat, so watching the weather, waves and wind is a natural part of everyday life. Even seeing the occasional turtle, manatee, cormorant, or pelican inspires me. With the ocean, everything is round, smooth (just look at beach sand closely) and a bit washed out. These are the forms I am mostly using. I have been travelling a lot and other cultures can give you so much new input, it can be slightly overwhelming. It certainly gives you new perspectives and/or point of views and a big supply of inspiration to feed on.
Since you live on the boat, I know you don’t carry around huge chunks of wood to sculpt. You have taken your sculpturing skills to a new level with 3-D modelling. How did you learn this and how does that work?
My present skill (3D modelling) is self-taught. When I became aware of 3D-modelling software (Blender, a free and open source software) I sat down and learned it (with the help of some very good YouTube tutorials). I was (and still am) amazed what wonderful things you can do with it (animations, sculpting, 3D-print modelling, movies etc.). So after wood carving it was a ‘natural’ development for me. In Germany I have 3 self-built 3D printers (for plastic only) where I test-print my models and do a few fun bits (like fridge magnets and desk toys).
Do you have some examples of what has inspired your work?
I came across a picture somewhere on Twitter. The caption was something like “this is what you find on a child’s hand after playing outside”. Not to scare people, just making them aware of what we carry around all day. Anyway, I thought the shapes and forms intriguing, so I sat down and modeled my very own bacteria to carry around the neck.
Using software and the 3-D printers, I translate the drawing into a a real pendant.
It is popular in science circles and a favourite of my nieces.
This came out of nowhere, or actually just playing around with shapes and forms (I think playing is a very useful technique to improve our inspiration and we all should nourish the child within.)
Being on Twitter, getting feedback and actually connecting to other artists is what this pendant represents. Connecting to people, ideas and/or the surroundings is important for me. It still keeps amazing me, to see and share pictures, music etc. with people from all over the world.
Modelling animals is challenging but utter fun and rewarding. You can find a frog, a weasel, a chameleon, a lion, a whale and a seal in my collection. I still have to work on the shark and plan to do a turtle.
The model below is quite dear to me as well. It’s an abstract pendant about the confusion of love. And love can be wonderfully confusing!
As you can see in my Shapeways shop, I love doing abstracts, so there will certainly be even more in the future. (There will also be a new website coming out soon.)
You have shared the positives and inspirations of living on a boat. Is there a down side?
I work alone. The isolation is to one degree good, as I can focus on my projects without distraction. Space on a sailboat is limited, so working on my computer (solar and wind power allowing) is the best solution. Besides I can upload my models to my shop at Shapeways from anywhere in the world. On the other hand discussing problems or ideas would be great and whenever we have friends aboard I am grateful for their feedback. Social media (especially Twitter) is a great source of feedback and inspiration for me. So many talented people out there and I love seeing also those wonderful creations and connecting to fellow artists. So the isolation doesn’t feel so hard.
What kind of advice would you give those who want to make a living through their art?
I am not a sales person at all and it is the most frustrating part of the whole process. Finding an audience is not easy and I won’t ‘elbow’ my way in (and I am glad and grateful to do this interview, maybe some new people may have a look at my creations) I still hold a job that pays the bills but carved out enough time to follow my passion. I think it is good for my art not having to go with what is popular (and therefore sells), but only create things I am happy with (and hopefully a few others). Everyone knows that making a living from art is a hard thing to achieve. My advice? Get a job that pays the bills and make no compromises to your art. Keeping this apart might keep the frustration level down and the inspiration level up.
Thanks for sharing your experiences and art with us in this interview.
Raku pottery, vases, and gifts
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